Wood, stone, and gold — the three materials of Japandi luxury, composed into a single bathroom statement. The SHUIDAO BC073 natural oak fluted bathroom vanity is a complete suite built around one extraordinary cabinet surface: fine vertical fluting across the full face and rounded sides of a warm blonde oak body, creating a textile-like depth and richness that photographs beautifully and rewards closer inspection even more. The white Carrara-veined marble countertop floats above the fluted oak with the confidence of natural material meeting natural material. A brushed gold single-hole faucet rises from the marble. An oval brushed gold-framed LED smart mirror completes the composition above.
A wave carved into a cabinet face. The BC007 is the most sculpturally inventive piece in the bathroom cabinet range — a single full-width wave-form recess carved into the lower centre of the drawer face, where the matte camel panel curves fluidly downward, revealing a rich zebra-wood interior glowing through the gap. This is not a handle. It is a material event.
A different flute. A different direction. The BC001 introduces the most distinctive surface variation in the fluted bathroom cabinet family — horizontal fluting rather than vertical. Fine parallel ribs run the full width of the cabinet face in a continuous horizontal band pattern, giving the dark walnut surface a rich, louvred quality that references mid-century furniture design and Japanese shoji screens simultaneously. The warm deep walnut tone deepens the shadow within each horizontal groove into a rich, almost lacquered depth. A black stone integrated basin top sits above. A matte black cylindrical faucet rises from it. And to the right of the rectangular metal-frame mirror, a matching horizontally-fluted tall side cabinet adds vertical storage in the same warm walnut material. The composition is warm, dark, and completely considered.
Two tones. Two textures. One composed bathroom wall. The BC003 is the lightest and most spatially expansive suite in the horizontal-fluted family — a warm pale zebra-wood or light oak cabinet with fine horizontal fluting, paired with a creamy stone or solid-surface countertop that extends beyond the cabinet width to form an open accessory shelf on the left. The countertop and the cabinet are intentionally offset — the countertop overhang on the left side creates a stepped composition that turns the vanity into an asymmetric furniture arrangement rather than a single rectangular unit. To the right, a matching LED-lit open-shelf side cabinet provides vertical storage in the same horizontal-fluted wood, with warm internal LED strip lighting visible on each shelf tier. A large circular LED backlit mirror completes the upper wall. Every element is warm, light, and open.
Colour, texture, and calm — composed as one. The BC067 introduces a material language entirely distinct from the all-white and natural oak members of the fluted family: a warm matte blush-taupe — somewhere between dusty rose, warm grey, and pale mocha — covers a cabinet body where the fluting is applied selectively. Two fluted wing panels flank the cabinet sides and outer zones, their vertical ribs creating depth and shadow in the same muted tone. Between them, a smooth flat centre drawer face provides a deliberate textural rest — a quiet panel that makes the flanking fluted wings read even more richly by contrast. The white Carrara marble countertop floats above in luminous contrast. Brushed gold faucet. Oval gold LED mirror. For the bathroom that begins with colour rather than neutrality, and still manages to feel completely serene.
White cabinet. Dark stone. Grey basin. The most tonal composition in the matte white fluted family. The BC081 introduces a dark grey sintered stone or slate-effect countertop in place of the white marble of the BC079 — a single material substitution that shifts the suite's character from warm-neutral to cool-contrast. The dark stone countertop sits on top of the all-white rounded cabinet body as a deliberate tonal counterpoint: the darkest possible horizontal surface against the whitest possible vertical surface. The matte grey vessel basin placed on the dark stone reinforces the cool grey palette above the white below. The brushed gold faucet and oval gold LED mirror introduce warmth at the two focal heights where the eye naturally rests. Three tones — white, dark grey, warm gold — precisely orchestrated.
The floor-standing edition of the matte white fluted family. The BC079 brings the same fine vertical fluting, the same generous rounded corners, and the same matte white finish of the BC071 to a floor-standing configuration — grounded on a continuous white plinth base that is flush with the cabinet body, giving the vanity a solid, architectural presence on the dark concrete floor. Where the BC071 floats above the floor, BC079 meets it — a different spatial relationship that suits bathrooms where floor-to-cabinet continuity is preferred over visual lightness. The Carrara marble countertop and undermount basin replace the vessel basin of the BC071, creating a cleaner top surface with no object placed above it. Brushed gold faucet. Oval gold LED mirror. Quiet, resolved, and completely considered.
White, floating, and textured from edge to edge. The SHUIDAO BC071 matte white fluted wall-hung bathroom vanity introduces the fluted surface language of the BC07x family in a wall-hung format and a pure matte white finish — the most spatially expansive and visually weightless configuration in the range. Wall-mounted with no legs and no plinth touching the floor, the cabinet appears to float above the dark concrete, making the room feel larger and the vanity feel lighter. The full front face and generously rounded side panels are covered in fine vertical fluting, consistent from corner to corner. A white stone countertop extends beyond the cabinet edges. A matte grey rounded-rectangle vessel basin sits on the stone as the suite's single colour accent. Brushed gold faucet. Oval gold LED mirror. Everything considered. Nothing excessive.
The same fluted oak craftsmanship — a bolder colour statement. The SHUIDAO BC075 natural oak fluted bathroom vanity introduces a sage green above-counter vessel basin into the suite's material palette, transforming the warm-neutral oak and stone composition into a three-tone conversation between natural wood, mineral white, and botanical green. The vertical fluting of the oak cabinet is now presented in a straight-corner configuration — the cabinet edges are square rather than rounded, giving this variant a more architectural, furniture-precise character. The sage green vessel basin sits above the white countertop as a standalone object — a coloured clay or ceramic vessel that would look equally at home on a designer shelf. Above, the oval brushed gold LED mirror and the brushed gold faucet complete the warm metallic framework. The result is a vanity suite that is simultaneously calm and visually unexpected.
The same fluted oak. A warmer stone. The SHUIDAO BC077 natural oak fluted double-sink bathroom vanity is the warm-stone edition of the straight-corner fluted oak family — distinguished from the BC076 by its single most impactful material difference: the white stone countertop and separate ceramic basins are replaced by a single integrated travertine-effect stone countertop with two rectangular basins carved or moulded directly into the stone surface. The result is a top surface of extraordinary visual warmth and material cohesion — a single continuous slab of warm beige-sand stone with subtle mineral movement, within which the two basins are fully integrated as part of the stone itself. No visible seam between basin and countertop. No colour contrast between the two. Just stone, continuously, from edge to edge.
Three tones in perfect tension. The BC069 brings the warmth of natural oak fluting to a wall-hung, straight-corner format — and pairs it with a dark black stone countertop and a matte grey vessel basin to create the most material-contrasted suite in the fluted family. Warm blonde oak below. Near-black stone above. Cool grey ceramic between. Brushed gold at the faucet and mirror frame. Four materials, four tones, one composition that is completely resolved. The fine vertical fluting of the oak cabinet catches warm directional light across its full front face and both square side panels. The cabinet floats above the dark concrete floor on its wall-mount. Against the pale blue-grey wall, the warm wood glows with a natural, unhurried warmth.
Curves that catch light from every angle. The BC009 is the high-gloss curved-face entry in the bathroom cabinet family — a wall-hung cabinet whose front face is not flat but convex, bowing gently outward from the centre in a soft barrel curve. This subtle three-dimensional curvature means the high-gloss pearl white surface catches and reflects ambient light differently across its width, creating a quietly dynamic surface that reads as flat from a distance and reveals its depth up close. A full-width white LED strip is integrated between the two drawer faces at their seam — glowing softly at waist height as both a functional handle groove and a continuous ambient light line. The frameless oval LED backlit mirror above and a compact open sage green wall shelf to the left complete the composition with deliberate lightness and restraint.
The same teardrop language — scaled for two. The BC011 is the double-sink master bathroom companion to the BC010, scaling the organic water-drop design language to a wide double-basin format while making two deliberate tonal shifts: the teardrop mirrors now feature dark-tinted / smoked glass that reads with depth and drama against the pale wall, and the faucets have moved to matte black — creating a cool, high-contrast accent above the warm greige cabinet. Two teardrop mirrors, two leaf-drop handles, two matte black faucets — the bilateral symmetry of the suite is total and considered.
One shape. Three scales. One suite. The BC010 is the most formally coherent bathroom vanity in the range — a complete suite where a single organic teardrop / water-drop form is expressed at three different scales simultaneously: as the mirror above, as the drawer handle at mid-height, and as the slim column faucet rising from the countertop. The warm greige matte cabinet, the white integrated basin top, and every hardware element are in the same tonal family — a monochromatic warm grey composition where the teardrop motif is the only recurring design element, and it is enough.
