Four panels. Two sliding doors. One graphic black grid that turns a shower enclosure into an architectural statement. The SHUIDAO matte black framed double sliding shower room system is built for wide shower openings where a single sliding door is not enough — two centre panels slide independently in opposite directions, opening from the middle to reveal the full shower width, while two fixed outer panels complete the enclosure. The result is a shower wall that looks as considered as the rest of the bathroom.
The all-black neo-angle enclosure — now grounded by a warm stone tray. The SHUIDAO matte black framed neo-angle corner shower enclosure with marble-effect stone tray brings the same five-sided corner efficiency and full matte black hardware together with a warm beige travertine-effect stone resin base that introduces natural warmth to an otherwise monochrome composition. The black frame above. The stone below. A pairing that works precisely because it shouldn't — and does.
A right angle. A diagonal handle. A waterfall that falls straight down. The SHUIDAO matte black square-section L-body basin faucet is one of the most architecturally distinctive single-hole faucets in the range — the body rises from the countertop as a square-section vertical column, then executes a clean 90° right-angle elbow into a horizontal square-section spout; the water exits the open face of the spout as a flat, sheet-like waterfall that falls directly and vertically into the basin. The slim round lever handle inserts diagonally into the body at an upward angle from the rear — a detail that is immediately legible as distinctive and considered. The entire faucet is matte black. Against the turquoise wall, the black circle mirror, and the white undermount basin, it reads as a pure graphic object.
Hard angles. No curves. All black. The SHUIDAO matte black tall vessel basin faucet with right-angle square-body waterfall spout is the most architecturally rigorous faucet in the vessel sink range — the square-section column rises to full vessel height and transitions into the spout section at a precise right angle rather than a gradual arch. Where the arched neck model sweeps forward in a curve, this model turns. The right angle is deliberate. The flat top spout face delivers a clean waterfall stream that pours directly into the black-and-white square vessel basin below. Against the warm wood countertop and white wall, the matte black form reads as a graphic black vertical and horizontal composition — a faucet that belongs in the same vocabulary as architectural drawing rather than bathroom catalogue imagery.
Colour, texture, and calm — composed as one. The BC067 introduces a material language entirely distinct from the all-white and natural oak members of the fluted family: a warm matte blush-taupe — somewhere between dusty rose, warm grey, and pale mocha — covers a cabinet body where the fluting is applied selectively. Two fluted wing panels flank the cabinet sides and outer zones, their vertical ribs creating depth and shadow in the same muted tone. Between them, a smooth flat centre drawer face provides a deliberate textural rest — a quiet panel that makes the flanking fluted wings read even more richly by contrast. The white Carrara marble countertop floats above in luminous contrast. Brushed gold faucet. Oval gold LED mirror. For the bathroom that begins with colour rather than neutrality, and still manages to feel completely serene.
White cabinet. Dark stone. Grey basin. The most tonal composition in the matte white fluted family. The BC081 introduces a dark grey sintered stone or slate-effect countertop in place of the white marble of the BC079 — a single material substitution that shifts the suite's character from warm-neutral to cool-contrast. The dark stone countertop sits on top of the all-white rounded cabinet body as a deliberate tonal counterpoint: the darkest possible horizontal surface against the whitest possible vertical surface. The matte grey vessel basin placed on the dark stone reinforces the cool grey palette above the white below. The brushed gold faucet and oval gold LED mirror introduce warmth at the two focal heights where the eye naturally rests. Three tones — white, dark grey, warm gold — precisely orchestrated.
The floor-standing edition of the matte white fluted family. The BC079 brings the same fine vertical fluting, the same generous rounded corners, and the same matte white finish of the BC071 to a floor-standing configuration — grounded on a continuous white plinth base that is flush with the cabinet body, giving the vanity a solid, architectural presence on the dark concrete floor. Where the BC071 floats above the floor, BC079 meets it — a different spatial relationship that suits bathrooms where floor-to-cabinet continuity is preferred over visual lightness. The Carrara marble countertop and undermount basin replace the vessel basin of the BC071, creating a cleaner top surface with no object placed above it. Brushed gold faucet. Oval gold LED mirror. Quiet, resolved, and completely considered.
White, floating, and textured from edge to edge. The SHUIDAO BC071 matte white fluted wall-hung bathroom vanity introduces the fluted surface language of the BC07x family in a wall-hung format and a pure matte white finish — the most spatially expansive and visually weightless configuration in the range. Wall-mounted with no legs and no plinth touching the floor, the cabinet appears to float above the dark concrete, making the room feel larger and the vanity feel lighter. The full front face and generously rounded side panels are covered in fine vertical fluting, consistent from corner to corner. A white stone countertop extends beyond the cabinet edges. A matte grey rounded-rectangle vessel basin sits on the stone as the suite's single colour accent. Brushed gold faucet. Oval gold LED mirror. Everything considered. Nothing excessive.
The same fluted oak craftsmanship — a bolder colour statement. The SHUIDAO BC075 natural oak fluted bathroom vanity introduces a sage green above-counter vessel basin into the suite's material palette, transforming the warm-neutral oak and stone composition into a three-tone conversation between natural wood, mineral white, and botanical green. The vertical fluting of the oak cabinet is now presented in a straight-corner configuration — the cabinet edges are square rather than rounded, giving this variant a more architectural, furniture-precise character. The sage green vessel basin sits above the white countertop as a standalone object — a coloured clay or ceramic vessel that would look equally at home on a designer shelf. Above, the oval brushed gold LED mirror and the brushed gold faucet complete the warm metallic framework. The result is a vanity suite that is simultaneously calm and visually unexpected.
The same fluted oak. A warmer stone. The SHUIDAO BC077 natural oak fluted double-sink bathroom vanity is the warm-stone edition of the straight-corner fluted oak family — distinguished from the BC076 by its single most impactful material difference: the white stone countertop and separate ceramic basins are replaced by a single integrated travertine-effect stone countertop with two rectangular basins carved or moulded directly into the stone surface. The result is a top surface of extraordinary visual warmth and material cohesion — a single continuous slab of warm beige-sand stone with subtle mineral movement, within which the two basins are fully integrated as part of the stone itself. No visible seam between basin and countertop. No colour contrast between the two. Just stone, continuously, from edge to edge.
Three tones in perfect tension. The BC069 brings the warmth of natural oak fluting to a wall-hung, straight-corner format — and pairs it with a dark black stone countertop and a matte grey vessel basin to create the most material-contrasted suite in the fluted family. Warm blonde oak below. Near-black stone above. Cool grey ceramic between. Brushed gold at the faucet and mirror frame. Four materials, four tones, one composition that is completely resolved. The fine vertical fluting of the oak cabinet catches warm directional light across its full front face and both square side panels. The cabinet floats above the dark concrete floor on its wall-mount. Against the pale blue-grey wall, the warm wood glows with a natural, unhurried warmth.
The same neo-angle intelligence. A completely different material statement. This full matte black edition of the SHUIDAO neo-angle corner shower enclosure takes the five-sided corner format and commits entirely to a single finish — matte black on every component, from the aluminium frame to the pivot hinges to the towel bar handle. No chrome. No contrast. Just a graphic black grid that turns a corner shower into a deliberate design choice.
A white oval floating above a city that never sleeps. The SHUIDAO oval freestanding bathtub is the most versatile form in the SHUIDAO range — generous enough for deep soaking, elegant enough for any setting, and paired here with a full matte black 5-hole deck-mount filler that makes the design choice unmistakably contemporary. From this aerial perspective, the tub's pure oval geometry and flat wide rim are revealed in full — clean, resolved, and completely at home against the drama of a midnight skyline.
Pure. Minimal. Elevated. The SHUIDAO oval freestanding bathtub in this pairing distils luxury bathing to its most essential form — a seamless white oval with no deck fittings, no visible hardware, no interruption to the clean rim line. All the function is delegated to a slim matte black floor-mount filler standing beside it with quiet architectural authority. The result is a tub that reads as a single, unbroken white form — and a bathroom that feels like a penthouse suite.
The city glitters below. The jets activate. The SHUIDAO oval freestanding whirlpool bathtub combines the clean sculptural elegance of a classic oval freestanding form with the targeted hydrotherapy performance of a full side-wall jet system — all finished in a consistent matte black hardware palette that makes the tub as visually resolved as it is therapeutically effective.
The perfect oval. The perfect city view. And jets — distributed precisely along both interior side walls — ready to activate the moment you lower yourself in. The SHUIDAO oval freestanding whirlpool bathtub delivers hydrotherapy performance within the most classically beautiful freestanding form: a pure, symmetrical oval that requires no raised ends, no visual drama, and no explanation. It simply works, from every angle, for every body.
