The CT-003 is the most voluminous and enveloping form in the CT series — a fully skirted, generously rounded pan that wraps itself completely around the floor line, offering the visual weight and organic confidence of a sculptural bathroom centrepiece. Set against the sharp rectangular cistern, the contrast is at its most dramatic here: strict geometry above, soft continuous curve below. The result is a toilet that feels both substantial and effortlessly clean.
Of all the forms in the CT series, the CT-005 is the most kinetic — the pan body cinches dramatically at the waist, creating a concave mid-section that gives the unit genuine sculptural tension. The effect is of a form under gentle compression, the ceramic caught at the precise moment before it exhales back into fullness. Paired with what appears to be an integrated smart bidet seat and the familiar sharp-edged rectangular cistern, this is the CT series' most premium specification.
Clean geometry, confident form — the SHUIDAO CT-001 pairs a squared-profile cistern with a smoothly rounded rimless bowl in a back-to-wall close-coupled configuration that reads as simultaneously contemporary and resolved. The contrast between the cistern's sharp rectangular lines and the pan's organic curves is deliberate — an architectural dialogue between precision and softness that gives this toilet a visual identity well above its price point.
Where the CT-006 speaks in the language of smooth contemporary curves, the CT-007 reaches further back — to the American traditional bathroom canon, where moulded cornices, stepped base plinths, and architectural panel detailing were the hallmarks of quality. Every surface here carries intentional relief: the cistern lid is framed by a raised cornice edge, the cistern body steps outward at the base onto a moulded shelf, the pan skirt features a recessed rectangular cartouche panel at the front, and the entire base plinth is defined by a bold stepped profile that anchors the unit to the floor with genuine visual gravitas. cUPC certified for the North American market.
The CT-009 refines the one-piece skirted formula with a notably fuller, more rounded pan body that swells generously at the sides — giving it a softer, more approachable presence than the CT-008's restrained geometry. The cistern sits compact and flat-topped above, its clean rectangular form creating the same familiar square-over-oval contrast that defines the back-to-wall CT-001 and CT-003, here resolved into a seamless one-piece casting. A chrome-ringed floor bolt access cap at the front base adds a polished finishing detail that elevates the ground-line presentation. cUPC certified for the North American market.
The CT-013 resolves the square-over-oval dialogue of the CT series into its most harmonious and commercially accessible expression. The cistern is compact and self-contained — a neat square block that sits atop the pan without imposing — while the pan body below inflates into the fullest, most balloon-like oval in the entire range. There is no waist, no cinch, no drama: just a generous, confidence-inspiring roundness that fills the visual field from seat to floor with a single unbroken curve. A small circular floor bolt access point is visible at the lower front, and the top-flush button sits flush and centred on the cistern lid. cUPC certified for the North American market.
The CT-015 is the one-piece counterpart to the CT-005's close-coupled hourglass silhouette — a unit where the pan body cinches inward at a defined mid-waist before expanding again into a broad, rounded base. Here the effect is refined rather than dramatic: the concavity is measured, the flare controlled, and the overall silhouette reads as elegant and considered rather than theatrical. The tall square cistern sits above with characteristic discipline, its flat top carrying a centred top-flush button that preserves the uninterrupted surface language across all four faces. Together they form the most formally coherent square-over-waisted-oval composition in the CT series.
The CT-023 introduces the most structurally distinctive cistern form in the entire CT series — a stepped, low-profile cistern that descends in two visible horizontal planes from back to front, creating a cascading profile that is immediately recognisable among its peers. The stepped lid creates a wide, shallow horizontal shelf effect at the top of the unit, giving the toilet a uniquely low visual centre of gravity despite its broad pan volume. The pan itself is among the most generously rounded in the series — a wide, full oval that sweeps continuously from seat to floor with the kind of confident, space-filling volume that anchors the bathroom floor and completes the unit's distinctive silhouette. The recessed dark flush button sits integrated into the flat upper step of the cistern lid, flush with the surface rather than projecting above it.
The CT-017 is the most harmoniously proportioned unit in the CT one-piece range — a toilet where the cistern and pan feel genuinely designed as a pair rather than contrasted against each other. The cistern is neither compact nor tall, settling at a medium height that flows naturally into a pan body of comparable width, creating a unified mass that reads as a single resolved object rather than two geometric statements in dialogue. The pan form is the key: it carries the square language of the cistern downward, maintaining softly squared corners throughout the body before opening into a broad, rounded base — the square and the oval reconciled into a single coherent form. The top-flush button and clean flat lid complete the picture without interruption.
The CT-019 revisits the tall square cistern and dual top-flush button combination of the CT-018 but redirects the pan language entirely — swapping the squared-rectangle discipline for a pan body that expands outward with generous, unrestrained roundness from a narrow upper waist into a broad, full oval base. The contrast is deliberate and effective: the cistern's strict geometry acts as a visual anchor while the pan opens up beneath it with confident organic volume, the two halves held together by the seamless one-piece casting. It is a softer, more welcoming proposition than the CT-018, while sharing the same premium flush mechanism and clean surface discipline.
The CT-011 presents the most dramatic proportional contrast within the one-piece CT range — a towering, ultra-slim rectangular cistern rises to a height that commands the vertical space of the bathroom wall, then hands off abruptly to a wide, generously rounded oval pan below. The tension between the cistern's strict verticality and the pan's lateral fullness is the defining character of this unit: austere above, organic below, the two halves held together by the seamless one-piece casting that makes the transition a design statement rather than a structural compromise. The white top-flush button sits flush with the flat cistern lid, preserving the unbroken surface discipline of every exposed face.
The rectangular undermount basin is the most widely specified basin format in contemporary bathroom design — and the AR-032 is the version of that specification that gets the details right. The bowl interior is clean and spacious, the corner radius generous enough to eliminate the cleaning difficulty of sharp internal corners without softening the basin's essential rectangular identity. The rim is notably wide — wider than most undermount basins in this category — presenting a substantial flat seating surface that bonds securely to the underside of the countertop and provides an expansive glue surface for long-term installation integrity. The chrome centre drain sits at the geometric centre of the bowl floor, and the basin is shown here without its countertop context, the beige-toned unglazed rim and exterior clearly visible — the authentic presentation of a basin built for undermount installation.
Some specifications require no argument — they simply need to be correct. The AR-024 is that basin: a pure circle, undermounted beneath the countertop, white vitreous china, with an overflow port and a centre drain. It is the specification that resolves itself, the one that disappears into the bench surface and lets the stone, the timber, or the tile make the statement. The rim sits below the counter plane, the basin bowl curving smoothly from the countertop underside down to the drained floor, and the overflow — a small circular port positioned toward the upper rear of the bowl — confirms this basin is engineered for practical daily use as much as for aesthetics. There are no decorative gestures here because none are needed.
Precision geometry from every angle — the SHUIDAO CT-002 commits fully to the straight line. Where the CT-001 counterpoints its square cistern with a rounded pan, the CT-002 carries the rectangular language through from cistern to bowl base, presenting a unified rectilinear form with softened corners that reads as architecturally cohesive and uncompromisingly modern. WaterMark certified for the Australian and New Zealand markets.
