The CT-024 is the most fluid and organically resolved toilet in the CT one-piece range — a unit where the transition from cistern to pan is not a step or a junction but a continuous, unhurried curve that flows the angular cistern form into the rounded pan body with the kind of seamlessness that only a true one-piece casting can achieve. The cistern shoulders angle gently outward and downward before surrendering fully to the oval pan below, and the pan itself maintains this sense of motion — widening evenly, holding its volume through the mid-section, then closing smoothly to the floor. No hard edges interrupt the journey from lid to tile. The chrome top-flush button punctuates the flat cistern top as the only deliberate accent in an otherwise unbroken ceramic composition.
The CT-016 occupies a quietly confident position in the CT series — a one-piece unit that neither reaches for drama nor retreats into neutrality, but finds its character in an unusual formal quality: the pan body is nearly cylindrical. Where most skirted toilet pans taper, flare, or cinch to establish a silhouette, the CT-016's pan maintains an almost perfectly consistent width from the cistern base to the floor, its sides running nearly vertical before closing into softly rounded lower corners. The result is a pan that reads as a solid, stable volume — more column than curve — anchored to the floor with quiet authority. The compact square cistern above mirrors this discipline exactly, and the chrome top-flush button keeps every surface uninterrupted.
The CT-020 finds its identity in balance — a one-piece unit where the cistern and pan achieve a proportional equilibrium that feels settled and complete rather than deliberately contrasted. The cistern is medium in height and width, the pan below it broad and full but not dramatically so, and the transition between the two is smooth enough that the eye reads the unit as a single coherent form rather than two geometric statements. The slightly squared rear shoulder of the pan — visible where it meets the cistern base — adds a subtle structural note that keeps the form from reading as purely organic, while the softly rounded front and sides carry it comfortably into warm, residential territory. The single top-flush button sits centred and small on the flat lid, the only accent on an otherwise pure white surface.
The CT-022 introduces a formal move not seen elsewhere in the CT series — a pan body that tapers. Where most CT pans expand outward from the cistern base or maintain a consistent width, the CT-022's pan is widest at the upper section just below the seat, then narrows progressively and evenly toward the floor, the skirt converging inward to a base that is notably smaller than the pan's mid-section. The effect is of a form that concentrates its volume in the upper body and releases it toward the ground — an inverted proportion that gives the unit a distinctive forward-leaning, slightly elevated visual presence. Paired with the tall rectangular cistern and centred top-flush button, the CT-022 reads as refined, unhurried, and quietly original.
The CT-018 is the most architecturally assertive toilet in the CT series — a unit where the square is not merely present but dominant, governing every face and every corner from cistern lid to floor tile. The cistern rises tall and perfectly flat, the pan body below it carries the same squared geometry with only the most minimal corner rounding, and the two-button top-flush mechanism sits centred on the lid as a chrome accent against an otherwise uncompromising white surface. If the CT-010 was the CT series' commitment to the rectangle, the CT-018 is its full conviction — a toilet that makes no visual concessions and asks the bathroom around it to rise to the same standard.
Everything in its place. The SHUIDAO oval freestanding bathtub with integrated deck filler and built-in towel rail is a product designed for the bather who wants the tub to do everything — fill, drain, hold towels, and look impeccable — without a single separate accessory cluttering the bathroom floor. The matte black 5-hole filler set sits neatly inside the rim. The twin matte black towel rails are built into the tub body at both sides. And the white oval itself maintains a perfectly clean exterior silhouette. Integration without compromise.
The purest chrome bypass. No exposed carriages. No decorative hardware at the top rail. The SHUIDAO polished chrome double bypass sliding shower door with concealed top rail is built around the idea that the cleanest shower door is one where the sliding mechanism disappears entirely behind a flush chrome top rail profile — leaving only the frame, the glass, and two slim horizontal chrome bar handles. The polished chrome finish reflects the surrounding space with mirror precision, amplifying the sense of light and volume in the bathroom. The dark emperador marble tray grounds the composition with warm, rich stone.
Three panels. One sliding door. One bold oval handle. The SHUIDAO polished chrome framed 3-panel single bypass sliding shower door is the asymmetric configuration — two fixed panels hold the composition steady while a single wide sliding panel moves to the left, operated by a single large oval vertical chrome pull handle that is the most visually prominent single hardware element in the entire bypass shower range. The three round roller carriages at the top rail are compact and precisely spaced. The overall composition is clean, calm, and dominated by clear glass — with the oval handle as the one deliberate design accent that breaks the horizontal uniformity of the chrome frame.
Concealed mechanism. Wide handles. Black stone base. The SHUIDAO polished chrome framed double bypass sliding shower door with concealed top rail is the most refined fully-framed bypass configuration — the sliding mechanism is integrated within the top rail profile and completely hidden from view, leaving the top rail as a single uninterrupted horizontal chrome bar with no carriage hardware, no roller wheels, and no visual interruption. Below, two wide flat rectangular chrome bar handles provide the door's defining visual accent — substantial, architectural, and cleanly proportioned. The black granite-effect stone tray grounds the luminous chrome composition with a rich, dark material base.
The curve that makes a corner disappear. The SHUIDAO polished chrome framed quadrant corner shower enclosure replaces the hard geometry of a square corner installation with a single continuous curved glass front — a quarter-circle arc that sweeps from wall to wall across the corner, softening the entire shower's visual footprint while maximising the usable interior space within it. Two sliding glass panels split at the centre and slide to opposite sides, opening the full curved entry. The polished chrome frame catches the light at every curve. The black stone tray at the base defines the quarter-circle footprint precisely. This is the most spatially elegant corner shower format available.
Frameless glass. Industrial chrome rollers. Architectural flat bar handles. The SHUIDAO polished chrome semi-frameless double bypass sliding shower door combines the visual openness of a frameless glass system with the bold exposed-hardware aesthetic of an industrial sliding mechanism. Round polished chrome roller wheels sit visibly on the top rail — each with a rectangular chrome slider block that connects the wheel to the glass panel. Below, two wide flat rectangular chrome bar handles span a generous proportion of each door panel, making them among the most substantial and visually commanding handles in the range. The result is a shower door that reads as a premium architectural element — not a standard bathroom fitting.
Soft light, perfect form — the SHUIDAO oval LED backlit mirror distills bathroom illumination to its purest expression. A frameless pill-form mirror floats against the wall on a seamless warm halo, washing the surrounding stone surface in a diffused amber glow that flatters complexion, defines space, and elevates any bathroom wall into a considered light installation.
The city is entirely yours from here. The SHUIDAO rectangular whirlpool bathtub sits in front of floor-to-ceiling glass with the quiet confidence of a tub that knows exactly what it is — a high-performance hydrotherapy system dressed in clean white geometry. Blue LED light fills the water. Air bubbles rise through the basin in a continuous effervescent cascade. Two black headrests mark the positions at either end. And a full matte black filler set completes the hardware story with precision and consistency.
A vanity wall reimagined as a luxury installation — the SHUIDAO dual ceiling-suspended rectangular mirror system anchors an open-plan hotel suite with rose gold precision. Two tall portrait mirrors hang from matching ceiling rods above twin vessel-sink basins, each panel framed in warm rose gold with bilateral LED side strips and a integrated round magnifying mirror — a complete grooming station that requires no wall, no bracket, and no compromise on design intent.
Poised between ceiling and space with effortless precision — the SHUIDAO dual-pole suspended capsule mirror pairs the warmth of rose gold hardware with a clean full-perimeter LED halo to create a mirror that is as much pendant light as grooming surface. Two slender rose gold rods drop from ceiling anchors to cradle a tall frameless capsule mirror, the whole assembly floating freely in space with the quiet confidence of a considered luxury object.
Where a mirror becomes a mandala — the SHUIDAO M006 surrounds a clean round mirror with a wide decorative frame of intersecting geometric lines, each chord and triangle of the diamond-web pattern illuminated from behind by a warm amber LED halo that transforms the entire frame into a glowing golden disc. Part lighting fixture, part wall sculpture, part mirror — the M006 makes no apology for demanding attention and rewards it with a depth of visual detail that reveals more the closer you look.
