The neo-angle format. The all-black commitment. The slimmest possible handle. The SHUIDAO matte black framed neo-angle corner shower enclosure with slim vertical bar handle is a five-sided corner shower solution where every detail has been reduced to its minimum — the slimmest frame, the slimmest handle, and a door hinge that barely registers against the black frame it sits on. The result is a corner shower enclosure that reads as four black lines and a lot of glass. Nothing more is needed.
Square. Graphic. Completely black. The SHUIDAO matte black framed rectangular corner shower enclosure is a wall-to-wall corner installation built around the simplest possible geometry — a rectangle — and executed in a single, uncompromising matte black finish. One sliding door. One fixed side panel. Four black frame lines. The result is a shower enclosure that reads as a piece of graphic design as much as a bathroom fixture.
The circle, perfected — the SHUIDAO M009 delivers the purest expression of the round backlit mirror: a slim matte black circular frame, a large clear mirror disc, and a full-perimeter cool-white LED halo that washes the surrounding dark wall in a clean, even corona. No magnifying spot, no crescent asymmetry, no decorative frame pattern — just the essential relationship between a perfect circle, a precise frame, and well-considered light. The foundational round mirror of the M-series, resolved to its most confident and unambiguous form.
A circle, a waterfall, and raw concrete. The SHUIDAO matte black round series 5-hole deck-mount bathtub faucet set takes the geometric language of the cylinder and the disc and applies it consistently across every component of a complete bath installation. The spout body is a large flat disc — a circular form that channels water from its lower edge in a smooth, wide waterfall cascade into the tub below. Two cylinder handles and a cylinder diverter knob flank it on the tub deck. A round hand shower stands in a wall bracket at the far end of the deck. Everything is round. Everything is matte black. Against raw concrete, the composition is quietly extraordinary.
Precision without severity — the SHUIDAO M002 takes the most versatile mirror format, the portrait rectangle, and softens it at every corner into a gentle rounded curve that removes any hint of harshness from an otherwise architectural form. A slim matte black frame contains the glass within a cool-to-neutral white full-perimeter LED halo, its diffused glow washing the dark charcoal wall behind with a clean, even luminosity. The result is a mirror that works everywhere, competes with nothing, and elevates every bathroom it enters.
Two curves. One faucet. All black. The SHUIDAO matte black single-hole basin faucet with curved gooseneck spout and L-shaped round stick lever handle is a study in how two simple pipe-form curves can produce a faucet of real character. The spout curves down and forward from the cylindrical body in a smooth gooseneck arc — a round-section tube that bends at a generous radius to position the outlet directly above the basin. The lever handle curves upward and backward from the body pivot in an L-shaped round tube form — a second, contrasting curve that rises above the faucet body with a capped round tip. Against the dark grey textured stone tile wall, the full matte black composition reads as a calligraphic black form — two curved lines intersecting at the cylinder.
The standard-height version of the arched square-body family — equally resolved, more compact, and perfectly proportioned for countertop and semi-recessed basin installations. The SHUIDAO matte black single-hole basin faucet with square-body arched waterfall spout delivers the same architectural geometry as the tall vessel variant in a deck-height format: a square-section column that arches forward into a wide open waterfall spout, all in full matte black, with a flat paddle handle at the top. The waterfall stream pours from the open spout face into the white inset basin below. The black circle mirror above. The white textured wall behind. Everything in the composition is calm, considered, and precise.
Black. Twisted. Pouring. The SHUIDAO matte black twisted spiral waterfall basin faucet is the most visually commanding version of the sculptural helical body form — a full 180° spiral in flat, light-absorbing matte black that makes the faucet read as a graphic black object against any background. In this image, the waterfall stream pours from the wide flat spout tip in a smooth, broad sheet directly into the white basin below. The square handle and square deck plate are anchored and geometric. The spiral body between them is the opposite of both. The tension between the two is the faucet's entire design concept — and it works completely.
Square geometry. Waterfall flow. All black. The SHUIDAO matte black single-hole waterfall basin faucet is built around three deliberate design choices — a square-section spout that delivers a wide, flat waterfall stream; an angular geometric lever handle that reinforces the rectilinear character of the body; and a full matte black finish that makes the faucet a graphic black object on the white ceramic basin. Running water visible in this image: a smooth, flat waterfall sheet falls from the square spout opening directly into the basin below.
Black on black. A tall matte black cylindrical faucet rising beside a matte black rectangular vessel basin — and then the white interior of the basin, the pale wood countertop, and the white wall beyond. The SHUIDAO matte black tall vessel basin faucet with cylindrical spout is the all-round form in its tallest, darkest configuration — the same clean pipe geometry as the chrome standard-height model, extended to vessel sink height and rendered in full matte black. The laminar stream pours cleanly from the round spout into the square white basin interior. The slim round lever handle sits at the faucet's pivot point — minimal, precise, and barely there.
Tall. Black. Pouring into a vessel basin from the height it deserves. The SHUIDAO matte black tall vessel basin faucet is designed specifically for counter-top vessel / above-counter basins — its extended cylindrical column raises the spout well above the basin rim so the wide, flat waterfall stream falls cleanly into the basin centre without splashing the sides. The faucet is fully matte black from base to paddle handle, completely commanding against the white oval vessel basin and grey tile countertop. Running water fills the basin in this image: a smooth, broad waterfall sheet falling from the flat duck-bill spout into the full, still water surface below.
Forest green. Gold trim. Black stone. A suite that references the colour confidence of classic English cabinetry and the material precision of contemporary luxury design — simultaneously. The BC068 is an entirely different design language from the fluted family: a wide, low, deeply horizontal cabinet in matte forest green with completely smooth flat surfaces, a slim brushed gold horizontal trim bar at the top edge, and a three-section facade of two hinged door panels flanking a centre drawer. The dark black stone countertop sits above the gold trim edge. The brushed gold faucet and oval gold LED mirror complete a warm metallic framework that makes the deep green cabinet glow rather than recede. This is a statement vanity for a bathroom that begins with a deliberate, confident colour choice.
White below. Dark grey above. Two gold verticals. The BC082 scales the three-tone cool-contrast composition of the BC081 to a generous double-sink width — the widest and most visually commanding piece in the cool-grey configuration of the matte white fluted family. The continuously fluted matte white cabinet body wraps from rounded corner to rounded corner across its full double-sink width, grounded on a matching white rounded plinth. Above it, a single dark grey stone countertop spans the full width — the darkest possible horizontal plane set against the whitest possible vertical surface. Two matte grey vessel basins sit symmetrically on the dark stone. Two brushed gold faucets rise above them. Two oval gold LED mirrors complete the bilateral composition above. Three tones — white, dark grey, warm gold — doubled and perfectly aligned.
Two gold faucets rising from white marble. Two oval gold mirrors above. One continuous white fluted cabinet — wide, grounded, and completely resolved. The BC080 is the double-sink floor-standing completion of the matte white fluted family — the widest, most substantial piece in the BC07x range, combining the rounded white plinth base of the BC079 with the double-sink bilateral symmetry of the BC072 and BC074. At full double-sink width, the fine vertical fluting reads as a powerful architectural surface that wraps continuously from the rounded right corner, across the full four-drawer front face, and around the rounded left corner. The white Carrara marble countertop carries two undermount basins. Two brushed gold faucets. Two oval gold mirrors. The most complete and spatially generous suite in the matte white fluted family.
Two grey basins. Two gold faucets. Two oval gold mirrors. One white floating cabinet. The BC072 is the double-sink, wall-hung companion to the BC071 — scaled to master bathroom width while maintaining every design principle of the single-sink original: the fine vertical fluting across the full front face and rounded side panels, the matte white finish, the floating wall-mount installation, and the grey vessel basin as the suite's single botanical colour accent. At this wider scale, the bilateral symmetry of two grey basins, two gold faucets, and two oval gold mirrors above creates a master bathroom composition of quiet, considered luxury. The cabinet floats above the dark concrete floor. The room breathes around it.
One line of light across the full width of a walnut cabinet. The BC004 defines its identity through a single design move — a full-width warm LED strip integrated into the top edge of the cabinet face, running the complete width of the two-door panel as a continuous horizontal light line. In daytime, the LED strip reads as a slim warm-white horizontal band that creates a floating, layered quality between the stone countertop above and the walnut door panels below. At night or in low light, it activates as a soft ambient light source that glows at waist height — a functional handle and a bathroom night light and a design accent simultaneously. The light walnut-to-medium walnut grain beneath is smooth and plain — the grain alone carries the visual warmth. Above, a round cream-tone vessel basin sits on the stone countertop with a wall-mounted chrome faucet at the wall behind. An oval frameless LED mirror and a slim chrome towel rail complete the composition on the wall above.
